Showing posts with label Austen (Jane). Show all posts
Showing posts with label Austen (Jane). Show all posts

Friday, 15 February 2013

Northanger Abbey by Jane Austen


I know that, along with Mansfield Park, it is probably the least appreciated of Jane Austen's novels, but Northanger Abbey is so charming and funny that I love it.  It seems that whichever Austen novel I am reading is my favourite.

As much as I aspire to Elizabeth Bennet's quick wit and vivaciousness, and Elinor Dashwood's steady, practical stoicism, I have to admit that Catherine Morland is probably the Austen heroine I most resemble.  Or, did resemble when I was a teenager.  Jane Austen perfectly captures the wide-eyed wonder of a girl of seventeen who has lived her life in the comfortable confines of an intimate village, and is now introduced to the fast-paced life in society.

On one level, the story is a few months in the life of Catherine Morland, the fourth of ten children of a country clergyman and his wife, and the eldest daughter of the family, who is invited to Bath by a neighbouring, childless couple, the Allens.  In Bath she is exposed to more fashionable society than has been usual for her.  There she meets a young man and his sister who, along with their father invite Catherine to spend time with them at their home, Northanger Abbey.

But on another level, this is an exploration of novel reading.  Several of the main characters in Northanger Abbey, including Catherine, are fascinated by the thrilling novels of the period, especially those by Ann Radcliffe such as The Mysteries of Udolpho.


Jane Austen defends the reading of novels and asserts that in them you will find that "the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour are conveyed to the world in the best chosen language."  Yet, while defending novel-reading as a means of understanding human nature, she presents us with a heroine who appears not to have absorbed any of the lessons therein.  For Catherine is blind in her naïveté to the foibles and faults of others. She continues to interpret the behaviour of everyone else through the lens of her own good nature, attributing to their bad behaviour invented redeeming justifications.

And now I feel that I really must read some Ann Radcliffe and Horace Walpole!

Thursday, 17 January 2013

Pride and Prejudice by Jane Austen


Happy 200th Birthday, Pride and Prejudice!  First published in January of 1813, and still just as relevant as ever, minus a frilled bonnet or two.

The first time I read Pride and Prejudice was the March Break when I was 15 and Lisa and I went to spend a few days with Carmen in Cornwall where she had started her first job as a speech therapist after graduation.  I think I had read Emma the year before, and although I enjoyed the story, did NOT like Emma herself.  She reminded me a little too much of a pretentious girl I knew and I'm afraid Emma's good qualities were overlooked as I melded the two in my mind.  Emma has never been a favourite, and I suspect that early association is the cause.

Elizabeth Bennet is something else, however.  Never had I read a book about a character so quick-witted and playful, so adaptable and socially at ease that inspired me to better myself.  Elizabeth Bennet was everything I wanted to be and felt I was not.  She was my mentor and my guiding light, my model for unattainable ideal of womanhood for which to strive.  If only I could think of such snappy come-backs, and craft my speech in such a polished and elevated manner!

Melodramatic?  Why yes!  I was 15.

But there remains an aspect of my own desire for self-improvement to Pride and Prejudice that for me is so often a part of characters I love.  If only I had the patience of Margaret Hale in North and South, or the self-assurance in her own quirkiness of Muriel Pritchett in The Accidental Tourist, or the bravery and selflessness of Nancy in Oliver Twist.  Self-improvement is not the only reason I loved books then, or now, but especially in the years between childhood and young adulthood these models of womanhood were something to hold on to.

Of course, Mr. Darcy was also a big draw.  While Elizabeth learns not to jump to conclusions about new acquaintances quite so quickly, it is Mr. Darcy's transformation that fascinates me the most.  He learns through his interactions with Elizabeth how to overcome his extreme shyness and more honestly reflect through his physical actions what he is feeling and thinking.  Shyness can often be interpreted as arrogance when we first meet an unfamiliar person; reticence in groups, holding oneself apart, social anxiety are all traits that Darcy exhibits when he is first introduced into the society surrounding Netherfield.   Mr. Darcy overcompensates for his discomfort with emotional distance and erects his personal shield which is universally interpreted as arrogance.

Not to say he isn't rude... but I think that after his initial snub of Elizabeth Bennet, Mr. Darcy has an opportunity to see more of her and regrets his rash words to Mr. Bingley.  He is drawn to her (just as we all are!) because of her social ease, her playfulness, her lively nature and her beauty.  He hovers on the edge of conversations, anxious to take part but not able to overcome his reticence enough to step outside his comfort zone.  It is the Bingley sisters who are the real snobs in the Netherfield crowd yet when they are being their most cruelly snobbish, Darcy does not join in with their favourite hobby of Bennet-bashing.

For Elizabeth and all of the members of the neighbourhood, Darcy's every behaviour is seen through the lens of that first impression regardless of his true intentions.  When Mrs. Bennet is visiting Netherfield to check on the ailing Jane, Mr Darcy, in conversation with Elizabeth is misunderstood by Mrs. Bennet:
     "I did not know before," continued Bingley immediately, "that you were a studier of character.  It must be an amusing study."
     "Yes; but intricate characters are the most amusing.  They have at least that advantage."
     "The country," said Darcy, "can in general supply but few subjects for such a study.  In a country neighbourhood you move in a very confined and unvarying society."
     "But people themselves alter so much, that there is something new to be observed in them for ever."
     "Yes, indeed," cried Mrs. Bennet, offended by his manner of mentioning a country neighbourhood.  "I assure you there is quite as much of that going on in the country as in town."
     Every body was surprised; and Darcy, after looking at her for a moment, turned silently away.
     [...] "Indeed, Mamma, you are mistaken," said Elizabeth, blushing for her mother.  "You quite mistook Mr. Darcy.  He only meant that there were not such a variety of people to be met with in the country as in town, which you must acknowledge to be true."
Actors playing Mr. Darcy always seem to make this a moment where he is being intentionally unpleasant regarding the deficiencies of the country lifestyle, and snobbishly turn away from Mrs. Bennet as an unworthy conversation partner.  I've always felt sorry for Mr. Darcy here, and feel that he is merely attempting to join the conversation by acknowledging a simple fact, only to be misinterpreted by the defensive Mrs. Bennet.  The "after looking at her for a moment, [he] turned silently away" breaks my heart a little, for I think he turns away not out of pomposity, but of utter embarrassment.

Of course, Elizabeth does not always give Mr. Darcy the benefit of the doubt either, and is just as quick to take offence when none is intended when she perceives that her own pride is at stake.  During one of the evenings of Jane's illness Elizabeth immediately assumes the worst of Mr. Darcy's motivations:
     After playing some Italian songs, Miss Bingley varied the charm by a lively Scotch air; and soon afterwards Mr. Darcy, drawing near Elizabeth, said to her -
     "Do not you feel a great inclination, Miss Bennet, to seize such an opportunity of dancing a reel?"
     She smiled, but made no answer.  He repeated the question, with some surprise at her silence.
     "Oh!" said she, "I heard you before; but I could not immediately determine what to say in reply.  You wanted me, I know, to say 'Yes,' that you might have the pleasure of despising my taste; but I always delight in overthrowing those kind of schemes, and cheating a person of their premeditated contempt.  I have therefore made up my mind to tell you, that I do not want to dance a reel at all - and now despise me if you dare."
     "Indeed I do not dare."
Poor Mr. Darcy.  Shot down!  During those evenings at Netherfield while he is circling around Elizabeth at a safely discreet distance, he makes little forays of interaction by trying to include her in conversations, by paying subtle compliments ("and to all this she must yet add something more substantial, in the improvement of her mind by extensive reading") but she only sees these in the light with which she first viewed him.

But Elizabeth and Mrs. Bennet are not the only people who misinterpret Mr. Darcy's shyness for arrogance.  It is generally stated a number of times that he was generally thought to be a proud and disdainful young man by the general population of Hertfordshire.  His stand-offish manners are compared to the easy amiability of Mr. Bingley and he falls short.  Because the general population is in awe of him because of his status as rich and powerful, they are disappointed that he does not take pains to put them at ease in his presence.  This is too much to expect from such a painfully shy man, rich or not!  With the responsibility of making acquaintances and conversation all on his side, poor Mrs. Long, and everyone else, felt snubbed when he did not "chatter on" to set her at ease.  But, with the introduction of Miss Georgiana Darcy, about whom much the same opinion is held amongst the locals around Pemberley, we are given a clue as to how to read her brother's character.
Miss Darcy and her brother appeared, and this formidable introduction took place.  With astonishment did Elizabeth see, that her new acquaintance was at least as much embarrassed as herself.  Since her being at Lambton, she had heard that Miss Darcy was exceedingly proud; but the observation of a very few minutes convinced her, that she was only exceedingly shy.  She found it difficult to obtain even a word from her beyond a monosyllable.
But Mr. Darcy begins to find his voice half way through the novel when, Elizabeth Bennet plays the piano at Rosings Park and he is able to respond to her more than a few words at a time.
     When coffee was over, Colonel Fitzwilliam reminded Elizabeth of having promised to play to him; and she sat down directly to the instrument.  He drew a chair near her.  Lady Catherine listened to half a song, and then talked, as before, to her other nephew; till the latter walked away from her, and moving with his usual deliberation towards the piano-forte, stationed himself so as to command a full view of the fair performer's countenance.  Elizabeth saw what he was doing, and at the first convenient pause, turned to him with an arch smile, and said,
     "You mean to frighten me, Mr. Darcy, by coming in all this state to hear me?  But I will not be alarmed though your sister does play so well.  There is a stubbornness about me that never can bear to be frightened at the will of others.  My courage always rises with every attempt to intimidate me."
     "I shall not say that you are mistaken," he replied, "because you could not really believe me to entertain any design of alarming you; and I have had the pleasure of your acquaintance long enough to know, that you find great enjoyment in occasionally professing opinions which in fact are not your own."
Luckily for our reading enjoyment, Elizabeth Bennet becomes a little more reticent like Mr. Darcy, and Mr. Darcy in his turn gains some of Elizabeth Bennet's liveliness through their interaction and continued acquaintanceship.  Like all the best marriages, they begin to understand each others true nature and motivations and value them.  The real wonder is that after such a disastrous first impression they have enough opportunity in such a society to finally work out their misunderstandings and appreciate each other fully.

Although the main obstacle Mr. Darcy is trying to overlook when he initially falls in love with Elizabeth Bennet is the behaviour of her family, he is given time as a result of her rejection to examine the behaviour of his own friends and family a little more closely.  He blushes when he thinks of how Lady Catherine's arrogance and bossiness must be interpreted by Elizabeth.  While Elizabeth is eventually able to recognize the truth of his intentions in retrospect by her own self-examination, Mr. Darcy is able to see what part of the misunderstandings have been a result of his own behaviour.  Because they are both willing to adapt and adjust to their new perceptions they come together in harmony at last.



{Update: It appears this topic is in the ether for there is quite a conversation raging over at Simon's blog post "Rethinking Darcy" on this very topic!  Check it out!  And also have a look at the list of Mr. Darcy links on Claire's blog post "In Lieu of a Review" which led me to Simon's in the first place.}