Showing posts with label Trease (Geoffrey). Show all posts
Showing posts with label Trease (Geoffrey). Show all posts

Thursday, 5 December 2013

Word to Caesar by Geoffrey Trease


In the remote Roman garrisons in northern Britain, young Paul witnesses devastating barbarian attack which destroys the fort he has called home, and leaves him an orphan.  He escapes with his life thanks to Severus, a Roman poet who offers Paul his protection.  Paul discovers that his debt to Severus can be repaid, but it requires that he travel to Rome, a homeland he has never visited, and deamands bravery, quick wit and a lot of luck.

In typical Geoffrey Trease style, this adventure is action-packed, and involves all manner of jumping into rivers from prison windows, escaping face-to-face encounters with angry lions, outrunning bloodhounds through the forest in bare feet (!), and using a diamond ring to cut a hole in a glass window pane not once, but twice! 

Although Trease wrote his stories for both girls and boys (usually including a protagonist of each gender to share the stage) Word to Caesar is disappointingly light on female characters.  There are three in total: one is a nasty spy, one an annoying brat, and the third shows up near the end and disappears just when things get really dangerous.  This aspect of the story was much less satisfying for my daughter to whom I was reading it aloud.

The historical aspects of the Roman setting were much less convincing than when he writes about Britain in the same period.  However, he does take great care in describing the details of the Circus Maximus, and that made up for any lack in the fact that Rome was otherwise fairly nondescript.  We both agreed that Geoffrey Trease writes a good adventure story, although this was perhaps not his finest effort.  However, it is exactly the kind of historical fiction Elizabeth and I both enjoy.

Geoffrey Trease

Tuesday, 1 October 2013

Cue for Treason by Geoffrey Trease


I found a battered old copy of Cue for Treason: A Tale of Shakespearian England by Geoffrey Trease in my school library when I was 14 years old.  In those days I eschewed any books that looked glossy and new, preferring instead the obscure monochromatic clothbound hard covers with titles such as The Everlasting Tapesty or The Knight's Chalice.   Although I have very few memories from that first reading, the enjoyment I experienced stayed with me all these years, for when I found a similarly battered copy at a charity shop this summer I picked it up hoping to share it with my 11-year old.

This morning we bombed through the last third of the book, unable to put it down until we knew the final fate of Peter Brownrigg and Kit Kirkstone.

Cue for Treason is Geoffrey Trease's nineteenth published work - an astounding accomplishment when considering that it was published a mere six years after his first!  Publishing 113 in his lifetime, he was a prolific writer of fiction and nonfiction for both children and adults, along with his television and radio plays, biographies and autobiographies.  He was fascinated by history, and combined meticulous research with adventure stories to bring events from different eras to life.

Geoffrey Trease

Cue for Treason is an excellent introduction to Shakespearian England.  Written to appeal to both boys and girls, with a realism unfamiliar in children's adventure stories at the time, it is unfortunate that Trease's work has not maintained enough of an audience to keep it in print.  While certainly having a very linear plot, without figurative language or character depth, the writing has strengths which render any criticisms insignificant.  True to its genre, it is replete with cliff-hangers and breathless near-misses that can at times defy belief, but there is never a sense that the author goes too far to work the plot around the action.  Although Peter is definitely the protagonist, the inclusion of such a strong female character is refreshing, or Kit is anything but a prissy damsel in distress!  Trease beautifully weaves the historically relevant information into the fabric of the story, creating a narrative of Living History.  His evident concern with social justice permeates the novel without becoming moral pap.

It's a sort of Famous Five or Hardy Boys for the Thinking Person.