Showing posts with label Drama. Show all posts
Showing posts with label Drama. Show all posts

Monday, 25 November 2013

W;t, A Play by Margaret Edson


Margaret Edson’s W;t was a tiny little book that jumped out at me from the classics shelf at my local library.  I always find it interesting to see what works the library categorises as Classic.  I tend to think that fourteen years isn't quite long enough to earn that distinction but reading this play has me re-evaluating my criteria!

This Pulitzer Prize-winning play begins with Vivian Bearing, an English professor, as she is diagnosed with advanced ovarian cancer.  A scholar, she is used to relying on her rational mind to guide her as she untangles the metaphysical poetry of John Donne.  As her disease progresses she has a revelation about alternative ways of viewing the world and how to live.

How Margaret Edson manages to work so many layers of meaning, so many themes and perspectives into less than 85 pages, and how she manages to tackle such subject without ever straying into the maudlin or sentimental is a marvel.  As Vivian examines her own thoughts about mortality, we glimpse her relationship to her father, her students, her medical team and her colleagues.  It becomes clear that the real message is not how much cancer sucks (it does), and how hospitals could be more humane (they could), but about how we will choose to live our one precious life.  We are all moving inexorably closer to death: advanced ovarian cancer has accelerated the process for Vivian but the cancer itself is not the story.  The cancer is not the villan of the play, or of Vivian's life.  She comes to understand that the real villan is the lack of compassion with which we treat each other.

In 2001, Emma Thompson wrote and starred in an award-winning television adaptation of W;t which is entitled Wit.  This link should take you to the entire 99 minute film which is well worth watching.




I was nervous of how I would feel watching this film as the subject matter might hit a little close to home.  I am very sensitive about the whole hospital thing.  It was definitely more emotional to watch than it was to read the play, but it was not difficult.  Emma Thompson is at her very finest in this role.  I would highly recommend both the play and the film, and if you are ever lucky enough to see it live, do it!

Margaret Edson

According to Wikipedia, Margaret Edson "donated her Pulitzer Prize money to create a foundation to teach medical students how to interact more humanely with their patients" and continues to work as a kindergarten teacher with no intention of writing any more plays.

Saturday, 26 January 2013

Goodnight Desdemona (Good Morning Juliet) by Ann-Marie MacDonald


You've heard of fractured fairy tales?  Well, Goodnight Desdemona (Good Morning Juliet) is like that - except with Shakespeare's plays.  Ann-Marie MacDonald has created a witty and clever and hilarious exploration of the characters and themes in Romeo and Juliet and Othello.  I really, really wish a theatre company would stage it right now so I could see this live.

The play begins in the office of Assistant Professor Constance Ledbelly at Queen's University in Kingston, Ontario (my alma mater!) where Constance is working on her Ph.D. dissertation.  She is working to analyze an old manuscript which, she believes, contains the two source comedies that Shakespeare used to write his tragedies. Constance is warped into the Shakespearean world where she needs to find the author of the manuscript.  In the process, she must also find her own true identity, in a Jungian voyage of re-birth.

In an interview with Melanie Lynn Lockhart in 2005, Ann-Marie MacDonald stated:
I think [Goodnight Desdemona (Good Morning Juliet)] ended up as a tribute to Shakespeare. It’s a testimonial. Because it was done in the spirit of ransacking –and that’s what Shakespeare did. And I think the greatest thing you can do for an author is to make free with them, ultimately, or they won’t survive. If they’re going to survive, they have to survive all kinds of things.
Drawing not just from Romeo and Juliet and Othello, Ann-Marie MacDonald uses characters and lines from other works by Shakespeare often for comedic purposes.  Here is an example of how she plays with the original Romeo and Juliet:
SAMPSON. Nay, as they dare. I will bite my thumb at them; which is a disgrace to them, if they bear it.
ABRAHAM. Do you bite your thumb at us, sir? 

SAMPSON. I do bite my thumb, sir. 
ABRAHAM. Do you bite your thumb at us, sir? 
SAMPSON. [Aside]  Is the law of our side, if I say ay? 
GREGORY. No. 
SAMPSON. No, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir. (1.1. 33-40)
And here is the corresponding section from Goodnight Desdemona (Good Morning Juliet):
TYBALT. [laughter – CONSTANCE nervously bites her thumbnail] Do you bite your thumb at me sir?!
CONSTANCE. No! I just bite my nails, that’s all. 

TYBALT. Do you bite your nails at me sir? 
CONSTANCE. No I swear! Look, I’ll never bite them again. This’ll be a great chance for me to quit once and for all. Thanks.
[Pause. The boys tense. Will there be a fight?]
TYBALT. You’re welcome. (51-52)
Ann-Marie MacDonald uses not just Shakespeare's words, but his themes and symbols and his love of gender-bending and mistaken identities to great comedic effect.

Goodnight Desdemona (Good Morning Juliet) is full of intelligent fun.  I would highly recommend this play as a wonderful read.  Now... does anyone know if there is a dvd available of a stage performance?

Ann-Marie MacDonald
author image from here

Recipient of the Governor General's Award for English Language Drama, the Floyd S. Chalmer's Canadian Play Award and the Canadian Author's Association Award, Goodnight Desdemona (Good Morning Juliet) is the much lauded play by the much lauded over-achiever, Ann-Marie MacDonald. 

Ann-Marie MacDonald is an actor, a playwright, a novelist (Fall On Your Knees, and The Way The Crow Flies), television host of Life & Times for seven years, and currently for The Doc Zone on the CBC.  She's written an opera libretto based on Jungian theories (Nigredo Hotel), and won both Genie and Gemini Awards and a Dora Award, and her novel Fall On Your Knees was chosen by Oprah's Book Club.