Showing posts with label Real Life. Show all posts
Showing posts with label Real Life. Show all posts

Friday, 6 September 2013

Happy September!

Well, it's been a while since I have frequented this space! It was a lovely summer filled with sunshine and road trips and canoeing and friends and family and camping and parties and eating lots of fresh fruit.



We spent three months at our cottage which has no internet, and no television. You'd think it would be a reading paradise, and in the past it has been: this year I flitted from book to book, never finishing anything before tiring of it. I still blame Charlotte Brontë and Villette!  In three months I managed to complete just one single, solitary work of fiction: The Great Gatsby.  But since returning home a week ago I polished off Anne Tyler's The Accidental Tourist in just over a day and feel that my mojo may be returning.

Ah, but it was a lovely summer.  One of the most wonderful highlights was a week at Bon Echo Provincial Park in Ontario.  The park has a fascinating history, and a magnificent cliff rising straight out of Lake Mazinaw (the second deepest lake in Ontario!) that is adorned with spectacular native pictographs easily seen by canoe.



The area was developed as an artist's retreat in the early years of the twentieth-century.  In 1919 a massive project to carve a dedication to Walt Whitman was undertaken on the side of the cliff. 



Flora Macdonald Denison was a successful business woman, a columnist for a Toronto paper, and an active suffragette in 1910 when she bought Bon Echo Inn from Weston Price.  She was also an admirer of Walt Whitman.  In 1916 she began publishing The Sunset of Bon Echo to attract visitors to the area, and to explore the issues of the day.  She formed the Whitman Club of Bon Echo and various devotees of his work frequently came and lectured.  Among these was Horace Traubel, Whitman's literary executor and biographer.  In 1919, Horace Traubel and Flora Macdonald Denison dedicated the famous Bon Echo rock to Walt Whitman.  The following year, the centenary of his birth, two stonemasons from Aberdeen, Scotland were hired to carve the inscription on the rock.  Walt Whitman never visited Bon Echo.  There is a story that shortly after the dedication of the rock when Horace Traubel was dying, Walt Whitman's ghost came to comfort him.

The carving is still clearly visible on the cliff, almost one hundred years after it was completed, although some words are difficult to distinguish.

Saturday, 6 April 2013

Catching up...

Fresh flurries this morning so we are still in the anticipating phase regarding the arrival of spring.  A header depicting some of the beauties snow brings keeps me in the right frame of mind as I see the internet blossoming with photos of flowers and leaves that are emerging in warmer climes.

We have had hints of the warmer weather that is coming though, and last weekend I even sat on a friend's patio until just after dark.  Never mind that we were bundled in scarves, parkas, long underwear and were drinking tea in mittens - we were sitting outdoors!

On the reading front, one might imagine this long cold winter would lead to reams of books having been read, and while that is sporatically true, I have found myself stuck two-thirds of the way through Charlotte Bronte's Villette this month, right on the verge of loathing it, and yet unable to let it go, having devoted so much time ploughing through to this point.  I have been determined to forge on to the end, but I seem incapable of sticking with it for more than three pages at a time before I feel compelled to attend to some pressing household chore such as labeling all the jars in the pantry.

 

I have also been working on a family tree project in anticipation of a family reunion we will host this summer at the cottage.  I have been so excited by the amount of information I have been able to uncover online!  My grandfather's much older brother fought and died on the western front in 1918, and I was able to find copies of his enlistment forms (including his signature!), the cemetery where he was buried in France, a plot of the cemetery, and using Google Streetview, was able to see the location of his headstone!  My maternal family comes from farming communities in the Ottawa Valley and yet I've uncovered astounding amounts of information about various members.

The wedding portrait of my great-grandparents.

But, I decided this morning to stop dragging myself through Villette and picked up E. M. Forster's Where Angels Fear to Tread which seems to be matching my mood.

Saturday, 19 January 2013

Happy Birthday, Dad!

My Dad at the cottage

In memory of my dad who would have been 73 today, and who loved the poetry of Robert W. Service, I found a LibriVox recording of a poem I remember him reciting when I was a girl:

The Shooting of Dan McGrew by Robert W. Service (read by Glen Hallstrom)

The Shooting of Dan McGrew


A bunch of the boys were whooping it up in the Malamute saloon;
The kid that handles the music-box was hitting a jag-time tune;
Back of the bar, in a solo game, sat Dangerous Dan McGrew,
And watching his luck was his light-o'-love, the lady that's known as Lou.

When out of the night, which was fifty below, and into the din and the glare,
There stumbled a miner fresh from the creeks, dog-dirty, and loaded for bear.
He looked like a man with a foot in the grave and scarcely the strength of a louse,
Yet he tilted a poke of dust on the bar, and he called for drinks for the house.
There was none could place the stranger's face, though we searched ourselves for a clue;
But we drank his health, and the last to drink was Dangerous Dan McGrew.

There's men that somehow just grip your eyes, and hold them hard like a spell;
And such was he, and he looked to me like a man who had lived in hell;
With a face most hair, and the dreary stare of a dog whose day is done,
As he watered the green stuff in his glass, and the drops fell one by one.
Then I got to figgering who he was, and wondering what he'd do,
And I turned my head — and there watching him was the lady that's known as Lou.

His eyes went rubbering round the room, and he seemed in a kind of daze,
Till at last that old piano fell in the way of his wandering gaze.
The rag-time kid was having a drink; there was no one else on the stool,
So the stranger stumbles across the room, and flops down there like a fool.
In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;
Then he clutched the keys with his talon hands — my God! but that man could play.

Were you ever out in the Great Alone, when the moon was awful clear,
And the icy mountains hemmed you in with a silence you most could hear;
With only the howl of a timber wolf, and you camped there in the cold,
A half-dead thing in a stark, dead world, clean mad for the muck called gold;
While high overhead, green, yellow and red, the North Lights swept in bars? —
Then you've a hunch what the music meant. . . hunger and night and the stars.

And hunger not of the belly kind, that's banished with bacon and beans,
But the gnawing hunger of lonely men for a home and all that it means;
For a fireside far from the cares that are, four walls and a roof above;
But oh! so cramful of cosy joy, and crowned with a woman's love —
A woman dearer than all the world, and true as Heaven is true —
(God! how ghastly she looks through her rouge, — the lady that's known as Lou).

Then on a sudden the music changed, so soft that you scarce could hear;
But you felt that your life had been looted clean of all that it once held dear;
That someone had stolen the woman you loved; that her love was a devil's lie;
That your guts were gone, and the best for you was to crawl away and die.
'Twas the crowning cry of a heart's despair, and it thrilled you through and through —
"I guess I'll make it a spread misere", said Dangerous Dan McGrew.

The music almost died away. . .then it burst like a pent-up flood;
And it seemed to say, "Repay, repay", and my eyes were blind with blood.
The thought came back of an ancient wrong, and it stung like a frozen lash,
And the lust awoke to kill, to kill. . . then the music stopped with a crash,
And the stranger turned, and his eyes they burned in a most peculiar way;
In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;
Then his lips went in in a kind of grin, and he spoke, and his voice was calm,
And "Boys," says he, "you don't know me, and none of you care a damn;
But I want to state, and my words are straight, and I'll bet my poke they're true,
That one of you is a hound of hell. . .and that one is Dan McGrew."

Then I ducked my head, and the lights went out, and two guns blazed in the dark,
And a woman screamed, and the lights went up, and two men lay stiff and stark.
Pitched on his head, and pumped full of lead, was Dangerous Dan McGrew,
While the man from the creeks lay clutched to the breast of the lady that's known as Lou.

These are the simple facts of the case, and I guess I ought to know.
They say the stranger was crazed with "hooch", and I'm not denying it's so.
I'm not so wise as the lawyer guys, but strictly between us two —
The woman that kissed him and — pinched his poke — was the lady that's known as Lou.

Wednesday, 5 December 2012

Because Reading Matters

Have you seen these incredible creations? Or heard the mysterious tale of the books transformed to art being left in various libraries around Scotland?  For more photographs of these amazing creations, link here.; or watch the Scottish television report here

www.guardian.co.uk